Posts Tagged 'site-specific works'
Family Coral (site-specific)
Stefka Ammon’s site specific work at Kønigliche Backstube in Berlin examines the impact of culturally shaped ideas: „To what do we relate our origin? What am I? Is this defined by myself? Is it defined by factual (geographic, national, genetic,
Family Coral (site-specific)
Stefka Ammon’s site specific work at Kønigliche Backstube in Berlin examines the impact of culturally shaped ideas: „To what do we relate our origin? What am I? Is this defined by myself? Is it defined by factual (geographic, national, genetic,
Gaze
A window, a door, a mirror – the viewer’s gaze comes to a halt. It is reflected. It then focusses, sets in again for a wandering gaze back and forth. How do we see? How do we perceive spaces? Seeing
Gaze
A window, a door, a mirror – the viewer’s gaze comes to a halt. It is reflected. It then focusses, sets in again for a wandering gaze back and forth. How do we see? How do we perceive spaces? Seeing
STEINPLATZ reloaded
mmtt (Ammon and Lottner) winning art competition (by invitation) in Berlin-Charlottenburg. A temporary explorative experiment that researches the presence of present and history in present. Materialisation of 24 sculptures that have been, should be and wanted to be on Steinplatz.
STEINPLATZ reloaded
mmtt (Ammon and Lottner) winning art competition (by invitation) in Berlin-Charlottenburg. A temporary explorative experiment that researches the presence of present and history in present. Materialisation of 24 sculptures that have been, should be and wanted to be on Steinplatz.
Orientalist at Schnell & Schmutzig
Exhibit a groupshow Schnell & Schmutzig, Gaswerksiedlung Berlin, 2018. Site-specific installation from the series Orientalists, 2011, Laser copies glued on the wall. How do we perceive people from the so called different world? Which images have been created for us?
Orientalist at Schnell & Schmutzig
Exhibit a groupshow Schnell & Schmutzig, Gaswerksiedlung Berlin, 2018. Site-specific installation from the series Orientalists, 2011, Laser copies glued on the wall. How do we perceive people from the so called different world? Which images have been created for us?
Proposal for Memorial Hampel
Glass stela with colour gradient from Prussian Blue to Tyrianian Purple and faksimile inscription of a quotation of Elise Hampel. Elise and Otto Hampel are role models for courage to stand up for one’s beliefs during Nazi-Terror in Berlin. The
Proposal for Memorial Hampel
Glass stela with colour gradient from Prussian Blue to Tyrianian Purple and faksimile inscription of a quotation of Elise Hampel. Elise and Otto Hampel are role models for courage to stand up for one’s beliefs during Nazi-Terror in Berlin. The
Clay-School Berlin | 2. Prize
Lucius D. Clay in illuminated letters at the school’s facade. Shortly before classes start the display is changing: anagrams of different names are shown, until, for the time being of the classes Ulla C. Sciudy remains visible. Art-in-Architecture Competition Clay-School
Clay-School Berlin | 2. Prize
Lucius D. Clay in illuminated letters at the school’s facade. Shortly before classes start the display is changing: anagrams of different names are shown, until, for the time being of the classes Ulla C. Sciudy remains visible. Art-in-Architecture Competition Clay-School
Protein Research Center, Martin-Luther-University Halle
The research work at the Charles-Tanford-Building is translated into a visible ray of light expanding from one point inside of the building permeating the architecture. The impact and radiance of protein research are depicted as powerful sparkling layers of glass.
Protein Research Center, Martin-Luther-University Halle
The research work at the Charles-Tanford-Building is translated into a visible ray of light expanding from one point inside of the building permeating the architecture. The impact and radiance of protein research are depicted as powerful sparkling layers of glass.
There’s a Crack in everything…
Competition entry (with Katharina Lottner) for Klinikum der Universität München, new building of the Operation – Centre Großhadern: 200 m concrete wall. Result: reaching the second voting round in the first level of the international open and anonymous art-in-architecture competition.
There’s a Crack in everything…
Competition entry (with Katharina Lottner) for Klinikum der Universität München, new building of the Operation – Centre Großhadern: 200 m concrete wall. Result: reaching the second voting round in the first level of the international open and anonymous art-in-architecture competition.
Bikini Berlin
Commission work for dan pearlman Markenarchitektur GmbH, Concept or a text piece for the façade of Bikini Berlin, City West, Berlin. As of now temporary test with adhesive letters of parts of the building.
Bikini Berlin
Commission work for dan pearlman Markenarchitektur GmbH, Concept or a text piece for the façade of Bikini Berlin, City West, Berlin. As of now temporary test with adhesive letters of parts of the building.
vorwaerts nach weit | Kubus Hannover
Ammon seizes on the existing light housings as sculptural elements. Suspended from the ceiling, they run below it in parallel lines, ending at the walls. Ammon, however, extends them and disperses them through the room in various directions. Site specific
vorwaerts nach weit | Kubus Hannover
Ammon seizes on the existing light housings as sculptural elements. Suspended from the ceiling, they run below it in parallel lines, ending at the walls. Ammon, however, extends them and disperses them through the room in various directions. Site specific
Bern | Club 89
“Abi 89”, a window display for marks blond projects gallery. It has been created for the exhibit “Club 89” – personal ways of reflecting on the change in 1989 in Germany. Cooperation with marks blond projects Bern (CH) and Stedefreund
Bern | Club 89
“Abi 89”, a window display for marks blond projects gallery. It has been created for the exhibit “Club 89” – personal ways of reflecting on the change in 1989 in Germany. Cooperation with marks blond projects Bern (CH) and Stedefreund
Dorothee Elisabeth Tretschlaff
A project for the first festival UM08 in Uckermark region. The curator proposed to look into the rural legend of the “last witch of Brandenburg”. Eventually I found documents of 1701 on this very tragic case of a witch trial.
Dorothee Elisabeth Tretschlaff
A project for the first festival UM08 in Uckermark region. The curator proposed to look into the rural legend of the “last witch of Brandenburg”. Eventually I found documents of 1701 on this very tragic case of a witch trial.
Machorka
Sound piece produced for the exhibition poliflur 0101 in an abandoned greenhouse. There were wild growing tobacco plant – remainders of expired EU-subsidies for cultivating tobacco. Machorka is a negative term which is no longer used for (Russian) Tobacco. poliflur0101,
Machorka
Sound piece produced for the exhibition poliflur 0101 in an abandoned greenhouse. There were wild growing tobacco plant – remainders of expired EU-subsidies for cultivating tobacco. Machorka is a negative term which is no longer used for (Russian) Tobacco. poliflur0101,
Coming Home
Lenthe is a village that belongs to the smalltown in which I grew up. The title of this work is meant literally.
Coming Home
Lenthe is a village that belongs to the smalltown in which I grew up. The title of this work is meant literally.