Posts Tagged 'exhibitions'
WINTER – Transformation | Intervention
For a short time snow covers areas in the city. The snow hides traces and at the same time enables new traces to be traced and tracks to be laid. In the space that has turned white, many
WINTER – Transformation | Intervention
For a short time snow covers areas in the city. The snow hides traces and at the same time enables new traces to be traced and tracks to be laid. In the space that has turned white, many
Family Coral (site-specific)
Stefka Ammon’s site specific work at Kønigliche Backstube in Berlin examines the impact of culturally shaped ideas: „To what do we relate our origin? What am I? Is this defined by myself? Is it defined by factual (geographic, national, genetic,
Family Coral (site-specific)
Stefka Ammon’s site specific work at Kønigliche Backstube in Berlin examines the impact of culturally shaped ideas: „To what do we relate our origin? What am I? Is this defined by myself? Is it defined by factual (geographic, national, genetic,
Caravan to Occident
Views of group exhibition with artists of the Turkish partner-community of Treptow-Köpenick (Berlin), Eskişehir-Tepebaşı. Kommunale Galerie Alte Schule, Berlin
Caravan to Occident
Views of group exhibition with artists of the Turkish partner-community of Treptow-Köpenick (Berlin), Eskişehir-Tepebaşı. Kommunale Galerie Alte Schule, Berlin
Gaze
A window, a door, a mirror – the viewer’s gaze comes to a halt. It is reflected. It then focusses, sets in again for a wandering gaze back and forth. How do we see? How do we perceive spaces? Seeing
Gaze
A window, a door, a mirror – the viewer’s gaze comes to a halt. It is reflected. It then focusses, sets in again for a wandering gaze back and forth. How do we see? How do we perceive spaces? Seeing
We are the people
collaboration with Pantea Lachin for Ufer Open, 2018
Orientalist at Schnell & Schmutzig
Exhibit a groupshow Schnell & Schmutzig, Gaswerksiedlung Berlin, 2018. Site-specific installation from the series Orientalists, 2011, Laser copies glued on the wall. How do we perceive people from the so called different world? Which images have been created for us?
Orientalist at Schnell & Schmutzig
Exhibit a groupshow Schnell & Schmutzig, Gaswerksiedlung Berlin, 2018. Site-specific installation from the series Orientalists, 2011, Laser copies glued on the wall. How do we perceive people from the so called different world? Which images have been created for us?
vorwaerts nach weit | Kubus Hannover
Ammon seizes on the existing light housings as sculptural elements. Suspended from the ceiling, they run below it in parallel lines, ending at the walls. Ammon, however, extends them and disperses them through the room in various directions. Site specific
vorwaerts nach weit | Kubus Hannover
Ammon seizes on the existing light housings as sculptural elements. Suspended from the ceiling, they run below it in parallel lines, ending at the walls. Ammon, however, extends them and disperses them through the room in various directions. Site specific
Double Bind | Podwójne wiązanie
For Ammon the experience of „Double Bind“ ist the symbolic confrontation with the painful and difficult knowledge about her grandfather’s past. He worked until 1941 as translator for the German minority in Lithuania and was relocated in occupied Poland.
Double Bind | Podwójne wiązanie
For Ammon the experience of „Double Bind“ ist the symbolic confrontation with the painful and difficult knowledge about her grandfather’s past. He worked until 1941 as translator for the German minority in Lithuania and was relocated in occupied Poland.
Space Release #2 | spatial shift
Space Release #2 employs strategies of shifting and overlapping to analyze the fundamental parameters of space. By taking up and recapitulating existing spatial elements, and also by interfering with them, artistic interventions question the use-fulness and signifcance of familiar spaces.
Space Release #2 | spatial shift
Space Release #2 employs strategies of shifting and overlapping to analyze the fundamental parameters of space. By taking up and recapitulating existing spatial elements, and also by interfering with them, artistic interventions question the use-fulness and signifcance of familiar spaces.
Visibility Conditions
If we only ever saw what we thought, or thought what we saw, how would that be different from now? We think more than we really see, and we feel less too, because there’s so much we have to know.
Visibility Conditions
If we only ever saw what we thought, or thought what we saw, how would that be different from now? We think more than we really see, and we feel less too, because there’s so much we have to know.
Bern | Club 89
“Abi 89”, a window display for marks blond projects gallery. It has been created for the exhibit “Club 89” – personal ways of reflecting on the change in 1989 in Germany. Cooperation with marks blond projects Bern (CH) and Stedefreund
Bern | Club 89
“Abi 89”, a window display for marks blond projects gallery. It has been created for the exhibit “Club 89” – personal ways of reflecting on the change in 1989 in Germany. Cooperation with marks blond projects Bern (CH) and Stedefreund
Dorothee Elisabeth Tretschlaff
A project for the first festival UM08 in Uckermark region. The curator proposed to look into the rural legend of the “last witch of Brandenburg”. Eventually I found documents of 1701 on this very tragic case of a witch trial.
Dorothee Elisabeth Tretschlaff
A project for the first festival UM08 in Uckermark region. The curator proposed to look into the rural legend of the “last witch of Brandenburg”. Eventually I found documents of 1701 on this very tragic case of a witch trial.
Where ever you look
Presentation of the 2007 status of the entire travel-research-project The moose on the ice (2004-2007), part of the exhibition “Wo man hinschaut”. At the project space Stedefreund drawings, photographies, video-, audio- and text works, and the installation “Moose” were shown.
Where ever you look
Presentation of the 2007 status of the entire travel-research-project The moose on the ice (2004-2007), part of the exhibition “Wo man hinschaut”. At the project space Stedefreund drawings, photographies, video-, audio- and text works, and the installation “Moose” were shown.
Machorka
Sound piece produced for the exhibition poliflur 0101 in an abandoned greenhouse. There were wild growing tobacco plant – remainders of expired EU-subsidies for cultivating tobacco. Machorka is a negative term which is no longer used for (Russian) Tobacco. poliflur0101,
Machorka
Sound piece produced for the exhibition poliflur 0101 in an abandoned greenhouse. There were wild growing tobacco plant – remainders of expired EU-subsidies for cultivating tobacco. Machorka is a negative term which is no longer used for (Russian) Tobacco. poliflur0101,
Wild West | exhibition
The exhibition Wild West has been created as a traveling show by the artists: Stefka Ammon, Björn Hegardt, Ethan Jackson and Gudrun RauwolfStationen: (Berlin) augenblick – raum für Gegenwartskunst, Philadelphia, USA basekamp, Lubbock, TX, Landmark Arts Gallery, Albuquerque, NM, magnifico art space.
Wild West | exhibition
The exhibition Wild West has been created as a traveling show by the artists: Stefka Ammon, Björn Hegardt, Ethan Jackson and Gudrun RauwolfStationen: (Berlin) augenblick – raum für Gegenwartskunst, Philadelphia, USA basekamp, Lubbock, TX, Landmark Arts Gallery, Albuquerque, NM, magnifico art space.
Coming Home
Lenthe is a village that belongs to the smalltown in which I grew up. The title of this work is meant literally.
Coming Home
Lenthe is a village that belongs to the smalltown in which I grew up. The title of this work is meant literally.
Me – an Advertisement
Staging of an omnipresent advertising campaign which had been dominating public imaging of the entire Federal Republic at the time. This work was displayed in the windows of a bookstore on Berlin Friedrichstrasse and at University of Arts in Philadelphia.
Me – an Advertisement
Staging of an omnipresent advertising campaign which had been dominating public imaging of the entire Federal Republic at the time. This work was displayed in the windows of a bookstore on Berlin Friedrichstrasse and at University of Arts in Philadelphia.
Germans are good
Based on Lewis Caroll’s “Game of Logic” this work consists of three blackboards. Declinations of various relations with German history are written on them. Being a foreigner in the US made me think about German past’s effect on the present.
Germans are good
Based on Lewis Caroll’s “Game of Logic” this work consists of three blackboards. Declinations of various relations with German history are written on them. Being a foreigner in the US made me think about German past’s effect on the present.